Dekho Magar Pyar Se (DMPS)

Dekho Magar Pyar Se (DMPS)

Dekho Magar Pyar Se (DMPS) is your quick, entertaining guide to what’s worth watching — and what’s not. Three times a week, Rahul and Tanya discuss the latest movies, OTT releases, TV series, Bollywood and Hollywood buzz, trending stories and quick recommendations — all in natural Hinglish, with sharp opinions, friendly arguments and zero unnecessary hype. New episodes every Monday, Wednesday and Friday. What to watch. What to skip. What everyone’s talking about.
00:00
00:00

Episodens resumé

Indian entertainment has always been fascinated by supernatural women — daayans, naagins, chudails, shape-shifters and mysterious brides. But are these characters genuinely powerful… or are they simply another way of portraying women as dangerous, irrational or frightening? In DMPS Episode 19, Rahul & Tanya debate why one successful supernatural formula often leads to a flood of similar stories. One television actress becomes a Naagin, and suddenly everyone wants to be one. One horror-comedy succeeds, and the industry begins looking for its next female monster. At the same time, folklore and horror can also give women something mainstream stories often deny them: agency, anger, power and control over the narrative. So where does empowerment end and repetition begin? Is the problem that women are being portrayed as monsters — or that the industry keeps reducing different women to the same marketable supernatural stereotype? The film centres on a newly married woman who is suspected of being a daayan. Our…

Episoder

19-

Why Must Powerful Women Become Monsters? | Daayan, Naagin, Chudail — Empowerment or Stereotype? | DMPS Ep. 19

Indian entertainment has always been fascinated by supernatural women — daayans, naagins, chudails, shape-shifters and mysterious brides. But are these characters genuinely powerful… or are they simply another way of portraying women as dangerous, irrational or frightening? In DMPS Episode 19, Rahul & Tanya debate why one successful supernatural formula often leads to a flood of similar stories. One television actress becomes a Naagin, and suddenly everyone wants to be one. One horror-comedy succeeds, and the industry begins looking for its next female monster. At the same time, folklore and horror can also give women something mainstream stories often deny them: agency, anger, power and control over the narrative. So where does empowerment end and repetition begin? Is the problem that women are being portrayed as monsters — or that the industry keeps reducing different women to the same marketable supernatural stereotype? The film centres on a newly married woman who is suspected of being a daayan. Our…

21 okt. 2026
18-

Is the Celebrity Interview Dead? | When Every Answer Feels Media-Trained | DMPS Ep. 18

Celebrity interviews were once unpredictable, revealing and occasionally uncomfortable. Today, every answer often feels carefully rehearsed — designed to avoid controversy, protect relationships and ensure that nobody is offended. So has the celebrity interview become just another PR exercise? In DMPS Episode 18, Rahul & Tanya debate whether stars have become too media-trained for interviews to remain interesting — or whether constant trolling, viral clips, boycott calls and reputational risks have simply made honest conversation almost impossible. Is caution the same as dishonesty? Can an interview be candid without becoming intrusive? And when every celebrity gives the same safe answers, what are we still watching for? The episode also looks at what makes a genuinely good interview: specific questions, real follow-ups, personality, trust and boundaries. Thankfully, it is ending. What began as a sharp, revealing and entertaining celebrity chat show now often feels like a carefully managed PR exercise where…

17 okt. 2026
17-

Indian Censor Board Should Be Censored | Certify, Don’t Censor | DMPS Ep. 17

Why, in 2026, are adults still being told what they can and cannot watch in a cinema hall? In DMPS Episode 17, Rahul & Tanya debate whether India still needs a film certification system that also effectively behaves like a censor. The trigger: Spider-Man: Brand New Day reportedly received a UA 13+ certificate — and yet an eight-second kissing scene was still ordered to be removed. At the same time, viewers can go home and watch far more explicit content on OTT platforms, where the system is based largely on age classification, content descriptors and parental controls. So why can’t cinema work the same way? Tell us what’s in the film. Tell us what age it’s appropriate for. Warn us about sex, violence, language or disturbing content. Then let the audience decide. The debate isn’t about allowing illegal content. It’s about whether a certification board should do exactly what its name suggests: CERTIFY. NOT CENSOR. Also in the episode: fresh OTT releases, entertainment buzz and quick picks. 🎬 DMPS Recommends:…

15 okt. 2026
16-

Who Is a Star Now? | Bollywood Superstars vs OTT, YouTube & Creator Culture | DMPS Ep. 16

What does “stardom” even mean anymore? There was a time when becoming a star meant films, theatres, massive openings and larger-than-life celebrity. Today, fame can come from OTT, YouTube, Instagram, regional cinema, microdramas and creator platforms — sometimes without a traditional Bollywood breakthrough at all. In DMPS Episode 16, Rahul & Tanya debate whether the age of the superstar is fading… or whether stardom has simply been unbundled. Are theatrical superstars still in a league of their own? Can an OTT actor have just as much cultural impact? Are creators now competing with movie stars for attention? And in this fragmented entertainment world, does the question now become: “Star to whom?” Also in the episode: the latest entertainment buzz, new releases and quick watchlist picks. 🎬 DMPS Recommends: ANIMALS — Netflix ⭐ DMPS Rating: 5/10 Our verdict? A so-called mystery that keeps promising something interesting… and then lands on a climax that makes the whole journey feel even more pointless. What a…

11 okt. 2026
15-

Global Content, Local Connect? | When a Good Show Still Feels Far Away | DMPS Ep. 15

Streaming has opened the doors to stories from every corner of the world. Korean dramas, Spanish thrillers, European crime shows, American mysteries — everything is just one click away. But does access automatically create connection? In DMPS Episode 15, Rahul & Tanya debate an interesting problem of the global streaming era: sometimes a show may be well-made, well-reviewed and genuinely interesting… and yet, as an Indian viewer, you still don’t quite connect with its world, characters or setting. So what makes some culturally specific stories travel brilliantly across borders, while others continue to feel distant? Is relatability about geography? Culture? Human emotions? Or simply the way a story is told? 🎬 DMPS Recommends: Last Seen — Apple TV The verdict is still a little complicated. There are gaps, the setting may feel quite unrelatable to many Indian viewers, and we’re not even sure what numerical rating to give it. Theek hai, dekh sakte hain. 😄 And with so many positive reviews around, kuchh toh…

08 okt. 2026